Every Drawer Holds A Ring Waiting To Be Made.

Bring what you no longer wear — in a pocket, a pouch or a biscuit tin. We test each piece in front of you, weigh it, and tell you what it could become and what it is worth. The valuation is free and nothing leaves your sight.

  • Wedding bands
  • Broken chains
  • Single earrings
  • Signet rings
  • Old sovereigns
  • Charms & lockets
An open jewellery box of old gold earrings, pearls and brooches
Valued in about twenty minutes

What Leaves Our Bench Most Weeks

Five kinds of piece, each drawn for one person. Prices are for new recycled gold; remaking your own usually brings them down.

  • A gold solitaire ring on a woman's hand resting on white linen

    Engagement Rings

    Drawn around a stone you choose, or the one you already have.

    From £1,450

  • Two plain gold wedding bands lying on green satin

    Wedding Bands

    Forged as a pair, often from both families' old gold.

    From £420

  • A pair of polished gold drop earrings on white cloth

    Earrings

    Drops, hoops and studs, sized to how you wear your hair.

    From £260

  • A gold signet ring with a black stone on a stone plinth

    Signet Rings

    Cut and engraved by hand at the bench, never by laser.

    From £680

  • A pearl pendant on a fine gold chain against black

    Pendants

    A stone or pearl from an old piece, given a new setting.

    From £340

Where Our Metal Comes From

Every gram we work has been gold before. We would rather refine a ring you'll never wear again than buy metal fresh from the ground — and we can show you the paper trail for every stone we set.

Read Our Questions

Five Sittings From Drawer To Hand

Most commissions take six to eight weeks. You're welcome at all five sittings; most people come to three and leave the rest to us.

  1. Sit & Sketch

    An hour at the bench with the goldsmith who will make your piece. We draw it around your hand, not from a catalogue.

    A hand sketching ring outlines in pencil on paper
  2. Melt & Refine

    Your gold is tested, weighed and melted while you watch, then alloyed to the carat and colour you choose.

    A torch flame heating a glowing bar of gold on a soldering block
  3. Saw & Forge

    The metal is rolled, sawn and forged into shape. Come back and hold it before the stone goes in.

    Hands filing a gold band against a wooden bench peg
  4. Set The Stone

    Each claw is raised and closed under the loupe. A solitaire takes our setter most of an afternoon.

    A setter's hands turning a ring under a lamp
  5. Polish & Hand Over

    Polished, hallmarked and handed to you across the same bench it was made on, with a note of its weight and story.

    A ring held against a spinning polishing wheel
A ring being slipped onto a partner's finger

Proposing? Use A Stand-In.

Not sure what they'd choose? Propose with our silver stand-in ring, then come back together and design the one you'll both remember. Nobody has to guess a ring size in secret.

  • A silver stand-in, sized on the day

  • Its £60 comes off the real ring

  • Then draw the real one together

Ask About A Stand-In

Three Pieces That Came Back Different

What people carried in, and what they wore home.

  1. Three Grandmothers, One Band

    Three worn wedding rings from three generations, melted together and forged into one wide band with a sculpted top. The three golds still show as faint stripes when it catches the light.

    “It's the first ring all three of them have been in at once.” — Eilidh, Portobello

    Old gold wedding rings laid over a vintage photograph

    Came in

    Two sculpted gold rings on a white dish
  2. A Necklace With A Broken Clasp

    A pearl necklace that had sat in a drawer for twenty years became two pairs of pearl drops — one for each daughter — and the clasp's gold became their hooks.

    “They wore them to their mum's seventieth. Nobody guessed.” — Graham, Stockbridge

    A pearl on a fine chain lying on white lace

    Came in

    A pair of pearl drop earrings on dark cloth
  3. An Engagement Ring From 1962

    The band had worn paper-thin. We saved the old diamond, cut two small ones to sit beside it, and set all three in a new gold band of the same pattern.

    “Same stone my gran said yes to, on a ring that'll last me.” — Priya, Leith

    A worn gold ring resting on an old printed page

    Came in

    A gold ring with three clusters of diamonds on a pale lilac ground

Four At The Bench And A Seat For You

Oriel is four people and one long bench under the window. Whoever draws your piece makes it.

  • You

    Your Seat

    Bring a sketch, a stone or nothing at all

  • Isla Gowan at her jeweller's bench

    Isla Gowan

    Goldsmith and founder, draws every commission

  • Tam Rennie in his workshop wearing magnifying glasses

    Tam Rennie

    Stone setter, thirty years under the loupe

  • Morag Baird smiling in the studio

    Morag Baird

    Pearls, restringing and the front desk

  • Calum Shaw sawing metal at the bench

    Calum Shaw

    Apprentice goldsmith, in his third year

Asked At The Counter

Something else? Call the studio on 0131 000 0000 and Morag will answer.

How long does a commission take?

Six to eight weeks from the first sketch for most rings; wedding bands about four. If there's a date, tell us at the first sitting and we'll plan backwards from it.

What if my gold isn't enough for the piece?

We weigh it at the valuation and top it up with recycled gold. You pay only for the difference, priced per gram on the day.

Will my piece be hallmarked?

Yes. Everything over the legal weight is sent to the Edinburgh Assay Office and comes back with its hallmark before you collect it.

Do you buy gold too?

We do, at the day's rate, and we'll always give you the figure in writing. Most people decide to remake instead once they've seen the sketches.

Can I see the work in progress?

Every commission includes a visit to approve the wax model and another before the stone is set. Many clients drop in more often; the kettle's always on.

Looked After For As Long As You Wear It

Cleaning and a claw check are free for every Oriel piece, for life. For everything else — ours or not — these are our prices.

Come Round To Tanner's Wynd

Valuations and first sittings are by appointment so the bench is free for you. Book below, or ring and we'll find a time.

  • 1 Example Street, Edinburgh EH1 0ZZ
  • Tue–Sat 10:00–17:30, Thu until 19:00
  • 0131 000 0000 · Email us
A visitor looking at glass cabinets of jewellery in a warmly lit studio

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