Print, film, packaging
Most briefs land in one of those three. I take the idea from the first written line through casting, the shoot and final artwork.
I'm Noor
One idea, told well
Every project starts with one written idea, and everything after it has to earn its place.
About meA quick sense of what I make, how often I make it, and who keeps coming back.
Most briefs land in one of those three. I take the idea from the first written line through casting, the shoot and final artwork.
Thirty-four campaigns delivered so far, and most of the new ones arrive through people I have worked with before.
Most of my clients are founders and brand leads who need a point of view before they need artwork.
What each brand needed to say, and what the work did once it was out.
A roastery with twelve blends and no hierarchy. We rebuilt the range around three origins and one colour per harvest.
See the case
A perfume house launching in print. One still life per note, shot in a single day, running as a six-page insert.
See the case
Three days, no headliner. The poster series sold the line-up as one long night instead of twelve separate names.
See the case
Three ways in. Flat fees, agreed up front, with the scope written down.
From $6,500
Positioning, naming where it is needed, logotype, palette, type and the rules that hold it together.
From $2,800
One idea, then the shot list, the casting and the edit. I stay on it through production.
From $4,400
Ongoing direction for in-house teams: references, layouts, retouch notes and sign-off.